So June came – month 4 of the lock-down. Not seeing family and friends was not too bad, as we are scattered, so the phone, email and Facebook activity were our main ways of staying in touch. What we missed most of all was the freedom to go and walk by the sea, and in the grounds of the local National Trust Scotland sites, along with Historic Scotland and others. We live in the middle of farming land, where there is nowhere for humans to exercise and enjoy the outdoors. Walking a potato field is not fun!
Trying to find alternatives to our regular sites for exercise and fresh air became a preoccupation as the weeks of Lock-down stretched out. It’s surprising how quickly your muscles become weaker with little or no regular exercise!
I took cameras with me wherever we went, and captured the hillocks and difficult terrain in infrared and colour too ….
Another inhospitable location … difficult to walk without keeping your eyes firmly on the ground beneath your feet, as the danger of spraining or breaking your ankles was very real!
I don’t think the decision to close down the GROUNDS of the National Trust properties in rural areas like ours was a wise one. The grounds were never crowded, and they provided essential spaces for essential exercise! Even with a garden, our health was being impacted by the closing of places to walk safely!
Indoors I was having more fun, and success as I continued developing my painting. I wanted to use some of the thousands of landscape photos I have taken over the years. I don’t think I could ever find the energy and stamina to paint outdoors, so I have to rely on the photographs I take together with the memory of the observations I make at the time of shooting. So my starting point was the trees that are all around us here. It chimed perfectly with Cezanne, whose watercolours include many tree studies!
I started by using some of my infrared shots, as they can give the clearest definition of the architecture of the tree, the ‘bones’ that you often don’t see until winter strips away the leaves. Infrared reduces the foliage to white areas … which I could then paint in from memory or imagination. The idea worked quite well – but I didn’t like my attempts at the foliage!! But then I had an idea. How about putting the IR and painted pictures together, rather than just throwing my watercolour away? I had already used this technique to blend together several photographic images … how about using this technique to create such blends?
My first blending experiment gently wove the colours from the painting with the original infrared shot. So I pursued the idea – whenever I came across a Cezanne image that reminded me of a local scene, I tried to merge them. Here an avenue of trees at Fyvie Castle echoed an avenue of trees close to Ceazanne’s home in Aix.
OK – a very amateurish watercolour sketch! But I liked the idea of weaving the images together!
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© 2020 Elisa Liddell