2022 January

calendar January 2022
My Calendar cover for January 2022

Yes. Year three of the Covid-19 pandemic begins. It has been such a long journey since November/December 2019 when we first read about a virulent new virus causing concern in Wuhan, China …. then January 2020 when we found it was here in Aberdeenshire, brought back from Italy by someone returning from a ski holiday in the Italian Alps.
It is hard to recall just how innocent, how ignorant we were of what might lie ahead as the new decade began! So how does the world look as 2022 begins?

In pandemic terms the Westminster government is yet again trying to suggest that the pandemic is over … well NEARLY. Desperate for some ‘good news’ it is repeating the mistakes of last year by trumpeting the next “Freedom Day” of no face masks and back to work in the office.
The reason for this (looked at with a cynical eye) is to divert the populace away from the ocean of lies, corruption and sleaze that is engulfing Boris Johnson and his government. It is difficult to find a way to summarise this … Partygate, lying (both to the Commons and the people), bullying and intimidation of MPs … just a tiny taste of the sewer that the ‘national’ government has become. It is being revealed day after day. Desperate attempts to shore up the government mean that throwing vulnerable citizens under the Covid bus is just one plan to divert attention away from the mess they are in. Declare the pandemic over – compare it to a winter ‘flu once again.

And where am I personally as the year begins? Well my energy seems to have shrunk to the size of a walnut! I guess 2 years of constant stress and anxiety would be enough of a problem for the ME/PVS (Post Viral Syndrome) my body has had to live with over the past 30 years. I used to avoid the annual ‘flu jab because it took months to recover from the after-effects. But Covid has redrawn the map! Now I have had 2 ‘flu jabs and 3 Covid jabs. I guess the answer is right there! And since the booster jab of Pfizer I have had some strange side-effects such as alterations to my sense of taste. Nori, which I love, became quite horrible. This winter’s ‘flu jab was administered at the same time as the booster shot, and the arm muscle involved has remained painful – even now – 3+ months after the jab.

So I find very little energy for my creative drive. Even back-pedalling on the housework, and neglecting the garden, I find myself sinking into watching DVDs or recorded TV programmes rather than beginning my painting for the year! And endless card games on my iPhone take the time I used to spend reading poetry, or books on Cezanne, or my only magazine on B+W photography. My eating is chaotic, with far too much sweet (cakes and chocolates) and little salad and fresh fruit! So I have a mountain to climb to get myself back on track!

It is only slowly, as the end of the month approaches, that I feel able to take some tentative steps towards what was ‘normal’ in 2021, or further back in 2020, and even pre-pandemic times. I sourced a ‘new’ vintage lens on eBay, and now have a second Meyer Optik Gorlitz lens – this time a closer Domiplan 50mm. Not expensive, and very like the Helios range, but giving an hexagonal bokeh light ball. And I am beginning the year by brushing up on my photographic skills.
Something I can do every day, especially in the early morning, is to step outside and shoot the dawn from the garden. It is often the most interesting and colourful time of the day.

morning sunrise

In winter a stunning dawn like this can resolve into a grey, overcast day. So the zoom of my RX10m3 is by the door, to catch the ‘lightshow’ that welcomes the morning!

Misty winter world

The other photogenic morning offering is the early mist. Here I tried out the new Domiplan 50 lens outdoors. Focusing on something as insubstantial as the mist across the howe is quite demanding of any lens!

And indoors I’ve been using the Domiplan 50mm as my ‘go-to’ lens. I find it’s the best way to learn a new lens, to have it to hand as much as possible, and shoot anything and everything that catches my eye. Looking at the results later on the PC monitor I can discard disappointing shots, but all of them build up my knowledge of what are the strengths and weaknesses of a lens.

fading yellow tulip

The remnants of a vase of yellow tulips, caught in the sunshine and reflected on the wooden table surface.
The hexagonal bokeh in the window was a delight.

glass and light

A ‘grab the camera’ moment as the sun caught some glass photo props before I put them away! I was about to finish for the day … and prepare some lunch.

One of the few remaining ‘normal’ activities we have is the weekly shopping trip to Inverurie. The range of shops we visit is reduced to just two, and has been since the early days of the pandemic. It makes for a quick ‘exposure’ with masks and sanitiser …. early in the day before the shops are crowded. But there is a bonus to the early start, especially in the winter, as it means we drive through the dawn! We drive into the sunrise as we go, and the sun is behind us as we return. Both effects can create beautiful photographs!

January dawn

As the daily ‘light show’ of the dawn unfolds before our eyes, there is the chance of the sky silhouetting the trees by the roadside. Irresistible for me with my Sony RX100 – which is perfect for such ‘drive by’ shots.

On the road with lenticular clouds

By the time the shopping is done, the day has opened up, and with the low winter sun at our backs we can take in the full glory of the world we live in. I’ve recently learned that the clouds we often see here are called Lenticular and can look like rolls of cotton wool.

By the middle of January we made our first (short) trip to the coast – the first since last April! The day was grey and cold, but we missed being able to walk by the sea and enjoy the freedom to exercise in fresh air, walk on the sand, and feel the power of the sea as it meets the shore. The damage inflicted by Storm Arwen has closed our local exercise places, Fyvie Castle and Leith Hall, so the sea is the only space that is open to us.
As it turned out we found that Storm Arwen has robbed us of our usual seaside spots too! The road to Banff Scotstown was closed off, with nowhere to park. so we couldn’t even park and investigate on foot!

Banff Bay January 2022

I had to shoot Banff Bay from above, fighting a gale as I tried to catch the sea with my new lens! It was beautiful, but I couldn’t stay long, as standing upright was a battle in itself!

We decided to try Portsoy, further up the coast. If the sea was too wild and windy, then the shelter of Little Loch Soy might be a place we could stretch our legs and get some exercise. We discovered that Storm Arwen had marked even Little Loch Soy, with trees destroyed, and only freshly cut tree stumps remaining in some places.
I had decided to take my Lensbaby Double Glass lens with me, as it too had been languishing over the past few months. At least I could try for some interesting lens effects, if the day was grey and the lochside walk was dull!

Little Loch Soy with Lensbaby

As it happened the Lensbaby did transform the dull day into something more magical! Back home I took 3 Lensbaby shots and wove them into a wintery wonderland. It is amazing what the Lensbaby can create!

tulip petal

Back home I played with the Lensbaby indoors. With macro rings I can get in really close. There are lovely swirling patterns the lens can create with a fallen tulip petal and stamens, on pebble glass.

As the month progressed we continued to slowly clear up the damage from Storm Arwen. So many branches brought down in the garden, and debris together with leaves needing to be hauled up to the recycling centre in Turriff. As the month drew to a close we were warned of another severe storm arriving. The closing weekend was going to be graced with not one but two storms – Storm Malik and Storm Corrie. So before the worst began to hit Aberdeenshire we returned to the coast and treated ourselves to fish and chips by the sea at Whitehills.

Banff from across the Bay

The weather was already becoming wild and stormy, so we ate in the comfort of the car before venturing out to catch the surf breaking on the rocks. As it happened this was the quiet before the real storm arrived!

Storm Malik

An online capture of the two storms! We waited for power cuts, and for trees in the garden to be brought down, but we were lucky and survived with just more debris to clear away!

And so the month draws to a close with us feeling battered and bruised and very tired! Anxiously waiting for both storms to pass, and wondering how we could run our generator with 70+ mph gales battering us. We look forward to a more peaceful February, and are in need of time to rest and recover!

On to February, and the hope of calmer weather!
Back to the 2022 Cover page
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Flickr holds Elisa’s online Photo Gallery
© 2022 Elisa Liddell

Lensbaby section

Lensbaby Double Glass trees
Lensbaby Double Glass optic shooting trees and reflections

The Lensbaby is a system of optics that you can screw on to your DSLR camera body in the same way as you add or remove any lens. And that, more or less, is where the similarity ends! Stepping into the world of the Lensbaby is rather like stepping inside a kaleidoscope. The optics can create the most wonderful effects inside the camera. It is a whole new ‘take’ on what you see normally through your own eyes, and through the view-finder of your camera. Prepare to be enchanted.
The Lensbaby system has been around since 2004. To quote their own words: “In 2004, Lensbaby was born out of a photographer’s frustration with flat, sterile, digital images. Since then, we’ve been helping photographers gain creative control and inject emotion into their images.” Lensbaby.com
And that is indeed what I get from my Lensbaby optics, a way to transform ordinary shots into something special, something that I have created rather than just recorded, and sometimes I create something that takes me quite by surprise!

The pages that I’ve made here roughly follow my own journey into Lensbaby land, from my very first bundle in 2013 through to today.

Meet the Lensbaby
I start with a little about the ‘base unit’ called the Composer Pro, and how you drop in the ‘optics’

The Double Glass optic
Then I look at this first optic, and what I could do with it right from day 1.

The Sweet 50 optic
In 2015 I bought my next optic, the Sweet 50. This added a new range of effects, and a simpler focusing system.

The Edge 80
In 2017 I added a third optic to my range, this time with landscape especially in mind. This optic has range of subtle effects, and a sharpness of focus that is quite remarkable.

As I suggested, the results that you can get straight out of the camera can be truly artistic – and I like to think my Lensbabys are for ‘Art Photography’. I really love that I don’t have to manipulate imaged on my computer in Photoshop.

Lensbaby Art 1
Looks at how the Lensbaby can help to compose a shot.

Lensbaby Art 2
Some of the ways in which the Lensbaby can take me by surprise.

I seem to work in 2 year cycles, as in 2019 I have just added a Twist 60 to my Lensbaby range. I haven’t used it enough yet to add it to this section.
I’ve got more Lensbaby shots on Flickr. I’ve divided them into the 3 lenses I use
On Flickr you can find my Album of Sweet 50 photos
On Flickr you can find my Album of Double Glass photos
On Flickr you can find my Album of Edge 80 photos

Note: the range of camera bases that Lensbaby support, Taken from their website July 2019: “We make creative effects lenses, tools, and accessories that fit the following DSLR and mirrorless camera bodies: Canon EF, Nikon F, Sony E, Fuji X, Micro 4/3”.

Flickr holds Elisa’s online Photo Gallery
© 2019 Elisa Liddell

You’ve been framed!

At the optician
At the optician, with a Lensbaby Sweet 50

Spoilt for choice at the opticians recently, getting new specs. As usual I have a camera with me – not just the smartphone – but small enough to be reasonably inconspicuous! And they kindly allowed me to shoot the displays while I waited. The array of frames is quite dazzling, and I was indeed spoilt for choice. Should it be big, bright and bold? Or maybe rimless – how about Harry Potter completely round and owl-like? I caught my reflection here in the full length mirror, surrounded by just some of the choices.
Shot with the Lensbaby Sweet 50 optic, which gives an in-camera fly-away effect to the shot.
On Flickr you can find my Album of Sweet 50 photos
and more about the Lensbaby if you feel like exploring an interesting way of looking at photography.

Flickr holds Elisa’s online Photo Gallery
© 2019 Elisa Liddell

Let’s sit among the flowers….

Twist-60 Lensbaby at Fyvie Castle
First outing for the Lensbaby Twist 60, shooting the loch-side walk at Fyvie Castle

The kind of place you just want to sit and watch the world go by!
The rhododendrons are still blooming at Fyvie Castle. Too good to miss the chance to enjoy them! And a chance to try out my latest Lensbaby optic, the Twist 60.

Flickr holds Elisa’s online Photo Gallery
© 2019 Elisa Liddell

Such a simple pleasure!

A white rose with raindrops.
A white rose with raindrops. Shot with the Lensbaby Edge 80 optic on the Sony NEX-6

A simple single white rose, shot against a black velvet cloth. I used the Lensbaby Edge 80 optic, which means shooting in Manual Mode. This optic is a favourite of mine, as it can produce amazing clarity and detail. I’ve written more about it here
And ‘Flying Solo is all about using full Manual Mode on your camera.

Flickr holds Elisa’s online Photo Gallery
© 2019 Elisa Liddell


Sweet and pink!

Pink geranium flowers.
Pink geranium flowers. Sweet 50 with 16mm macro converter

Thinking of summer as the flowers start to bloom. A pink geranium that we grew in a pot, close to the porch so it could get the sun and be sheltered from the winds. It rewarded us with beautiful flowers.
Shot here with the Lensbaby, which is one of my favourite range of optics. The Sweet 50 optic gives a sharp focus point called the “sweet spot” and a gentle blur surrounding that spot.
There’s a whole series of articles here on the Lensbaby optic system
On Flickr you can find my Album of Sweet 50 photos

Flickr holds Elisa’s online Photo Gallery
© 2019 Elisa Liddell

Chasing the light

Gladiolus petal in the sunshine
Close-up of a gladiolus flower in the late sunshine

When I was writing this I thought of it as “Chasing the late light at F2.8” or “3 cameras and 1 flower”. But both of these titles were a bit unwieldy as URLs, so I simplified it. But there are three lenses in this playful tale, and all are indeed set at F2.8. So, to begin…

The way my house is laid out, the front gets the sunlight in the morning, often until the early afternoon. A big south-facing bay window makes it the best place to shoot. Then it gets tricky … by late afternoon the sun has moved round to the side of the house; then there is a small window of time, and a small physical side window where I can sometimes catch the light. There are trees in the way – so, especially if it’s windy, there is a constant flickering of light and shadow. Then the sun moves round to the back of the house, and sometimes there is the late light shining through a willow hedge right into the kitchen and onto a dark blue Formica top of the breakfast bar. This the story of chasing the late afternoon light with a lovely salmon pink gladiolus stem, trying to get some photos using just the natural light! And as two of the cameras were already set on F2.8 I shot the third on F2.8 too.
Note: I always shoot on full Manual, especially indoors – I’m so used to it I never even think about it. And the White Balance remained constant on ‘cloudy’ or ‘daylight’ on all 3 cameras for this shoot.

The cameras to hand were:
1) Lensbaby Composer Pro with 50mm double glass optic with a +4 macro filter (essentially a fixed focal length)
2) A NEX-6 with my favourite Helios Russian lens (frozen at F2.8 so it is a fixed focus)
3) The Sony A77ii with the tele-macro 100mm lens (a heavy combination, but so versatile in the results it can achieve)

I moved a small round wooden table beside the side window with the swaying trees casting strong light then deep shadow. I laid the gladiolus on the wood and waited to catch the sunshine.
The tele-macro allowed me to zoom out and take in both the flowers lying on the table.

light and shadows on gladioli flowers
Sunlight casting strong light then deep shadow on my gladioli flowers. shutter 1/800 ISO 80 WB “cloudy”

I could catch the sunlight and strong shadow it cast; the graceful curved shape of the stem; and a sense of the wooden surface, with a slight reflection too. And using F2.8 meant that the background was nice and dark due to the shallow DoF.

Next I took the Helios lens. It makes a lovely and soft image, but F2.8 is the only option – which gives me a closer composition but with no flexibility to move in closer, or further away.

The Helios lens gives a lovely soft bokeh
The Helios lens is gentle and gives a lovely soft bokeh. shutter 1/80 ISO 100 WB “cloudy”

The light is softer, and there is a background bokeh and definite reflections on the table.
So – could the Lensbaby offer me anything different at F2.8 (the aperture ring was in place from a previous shoot)

Lensbaby and gladiolus flower
Lensbaby Double Glass +4 macro filter catches the light on the flower. shutter 1/2000 ISO 100 WB “daylight”

The light was much harder to control, and focusing took more time as the tree branches gave a strobe effect the table! But I did manage to get the Lensbaby swirl of bokeh around the petals, and the internal glow! Here I used a high shutter speed. I try to keep the ISO as low as possible – I find that my Sony cameras are best with low ISO, and get noticeable ‘noise’ at higher settings.

By now the sun was moving round the house and lower in the sky .. so to complete the process I waited until I could catch the light as it fell across the breakfast bar. I went back to the big tele-macro lens, as it can get closer in to catch the water droplets better than the the other two.

Gladiolus flower resting on the formica worktop
Gladiolus flower on the Formica worktop, shot in the fading evening light. shutter 1/80 ISO 50 WB “cloudy”

Against the dark surface, and with light slanting through the open door I took the final shots. This time the white of the freezer in the background stopped me achieving a matt black background. But there are nice reflections on the work surface, and it looks like liquid – a lens effect I hadn’t expected. And I can get in closer with the tele-macro than I could with either of the other two lenses.

I do spend a lot of time chasing the light – I guess many of us do! It is nice to be able to control the light in a studio setting – and I do that too. But natural light and the camera lens can make unexpected magic, with lens flares, bokeh, and a richness and variety of light quality that man-made lighting just can’t touch. I no longer have the energy or stamina to chase the light across the landscape and into the night …. but around the house can be quite a challenge too ;o)
On Flickr you can find my Album of Gladioli photos
Flickr holds Elisa’s online Photo Gallery
© 2019 Elisa Liddell

Meet the Lensbaby

Trees reflected in water
The Lensbaby in action, catching the tree’s reflections in the water at Fyvie Castle

A new 6-part series on the Lensbaby optical system for DSLR camera.
It’s a personal journey through 6 years of shooting with the Lensbaby. It covers the basics of what the Lensbaby is and how it works – then the 3 optics I have used, from the original Double Glass, to the Sweet 50, and then the Edge 80. Finally there are two gallery pages, one looking at composing shots with the Lensbaby, and one of the delightful surprises that the optics can give.
The shot above was taken last November, when the autumn colours were almost gone. Using the Double Glass optic at F2.8. I caught the slight signature circular swirl in the middle, and the distinctive zoom-like bokeh fading to a gentle blur towards the edges of the frame.
Meet the Lensbaby
On Flickr you can find my Album of Double Glass photos

Flickr holds Elisa’s online Photo Gallery
© 2019 Elisa Liddell