2021 May

lines and circles
Playing with crystal orbs and marbles!

Spring is still an uncertain quantity as May begins. May 6th saw the elections to Holyrood – and the now familiar hail and gales were in evidence everywhere, with several inches of snow in the Highlands. Despite months of mud-slinging by opposition parties, and the late disruption of Alex Salmond creating a new party, the SNP led by Nicola Sturgeon emerged triumphant for a 4th term. There were huge sighs of relief, and not just here!!

As the weather remains so variable we have remained indoors a whole lot more than usual. And I have started a series of shoots of my assorted crystal balls, larger orbs and marbles. From the tiniest crystal or marble to tennis ball size and even larger, they all have their magic to weave!
The page header is a small crystal orb on a silk scarf, giving a vibrant pattern of lines and colours, reflected and refracted in the clear glass.

crystal in the sunshine
Catching the early morning sunshine

And here the same crystal was set in the window to catch the low early morning sun. With all the refracted light and inverted image of the window, the garden beyond and the sky – it is both simple and complex … and quite magical!

A decoration from Christmas
A decoration from Christmas – and one of my favourite photo props!

This time it was plastic, not glass or crystal – a favourite decoration that never gets put away with the rest of the Christmas things! It is one of my photo props that always delivers!

And May has a special significance for me, as May 12th is the birthday of Florence Nightingale. No – not for the current pandemic and all the magnificent efforts being made by nurses worldwide – but because we now think that in later life she suffered from what we now call M.E. or Post Viral Syndrome (PVS).

blue hydrangeas
Blue hydrangeas for ME/PVS day on May 12th.

PVS is what changed my life back in the 1980s. It is full of resonance now, as Long Covid is just the latest version of Post Viral Syndrome! It is undoubtedly a truly vicious virus, but there are so many similarities to previous viral attacks and their aftermath – I do hope that the medical people trying to deal with Long Covid will realise the link and draw on our experiences to help their search for ways to handle post viral events both past and present!
I’ve written about ME and Me on Inedita.

And talking of Inedita itself – it has been 3 years since we began to build this site! Time does fly!! And I decided it was time to design us a new site image.

the first site graphic
Our first site graphic for Inedita!

Our first one expressed how new we were to WordPress as our means of building (well re-building) The Liddells website. Previously I had used Dreamweaver and Microsoft FrontPage 2003. But times changed, and I needed a new platform. We’d both been writing many articles, and hosting them on a friend’s website but we wanted to collect the material together, as well as writing more personal sections, such as this Journal!
So I set about finding a new image that would combine Mike’s literary strands with my photographic ones ……

the new site graphic
And our new site graphic for Inedita

So I took the theme of Seigfried Sassoon, who’s poetry Mike has written about extensively in Sassoon Agonistes and combined a WW1 image with a photograph of my own, taken with the Lensbaby an optical system I’ve written about on Inedita too. Merging and blending images is something I enjoy, using photographs, and sometimes blending a photo with a watercolour image. There’s an album of some of the blends I’ve done on Flickr here.

And so May ends with my collage of shots and images I posted to Flickr this month.

collage for May 2021
My Flickr collage of all the shots I uploaded in May 2021

And on to June, and welcome summer with the Delta variant?
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2020 September

September 2020 collage
My collage of all the photos and images I uploaded to Flickr during September 2020

We started month 7 of our pandemic experience with bright sunshine and the determination to get out and about as much as possible! So September 1st saw us driving to Fyvie Castle grounds for fresh air and photo opportunities.
When Mike is driving I usually shoot my ‘drive-bys’ of the countryside as we pass. With today’s smartphones taking such good qualty shots, I often use mine rather than an actual camera! Here we are climbing up the steep hillside out of the howe of the Ythan.
The barley has been harvested, and the fields are ready for hay baling. This croft and the trees on the horizon are a feature of the landscape we see from our house. But I rarely get to catch such a goood, close-up shot! And yes, that angle really is accurate, the hillside is steep!

hillside croft
climbing the hillside out of the howe

I took an unusual combination of cameras and lenses – an old Eastern European lens, the Meyer Optik (known now as the ‘bokeh monster’) and an old Nikon D90 which has been converted to shoot only in the infrared range. This one has the gentle 720nm filter, and was my very first infrared converted camera, and my way into the whole IR world!
[more about my adventures in IR here]
Trees are a special subject for me, and together with catching the play of light, a great obsession when I am photographing outdoors.

Infrared sunshine and trees
Sunshine and trees at Fyvie Castle, caught in infrared.

The infrared light range turns the greens of the grass and leaves white, which makes the foliage very delicate, and also makes for a scene that looks like winter!

Fyvie castle walk in infrared
Fyvie castle walk, and driveway, caught in infrared

Branches, tree trunks and tarmac give wonderfully contrasting dark tones. We can walk down this driveway, listening to the pigeons cooing, and the leaves rustling, and the cares of the world seem far away.

Autumn leaves in the sunshine
Autumn leaves caught in the sunshine

This time in colour, with the heavy Meyer Optik lens. It can really capture the rich colours of the autumn leaves. As September began the autumn colours were just beginning to appear. We had fingers crossed that there would be a sunny dry month ahead, to give us the best of the flaming reds and rich golds as the leaves turned.
And a week later we were back to see how the colours were progressing …

across the loch at Fyvie Castle
Across the loch at Fyvie Castle, Aberdeenshire

This time with a Canon 70D and another old lens attached – a Russian Helios 44-2. The Canon is not my usual camera – I use mainly Sony. So I struggle with this 70D!
But the views of the loch and the trees are always beautiful and so calming. I think this year, more than before, we value the therapeutic effect of our trips out. Instead of thinking only in terms of exercise and photography, we now find the added value of reducing the stress levels, and refreshing our spirits.

As we picked out more calm days with the promise of sunshine, we went adventuring up the coast twice during September – once to Banff Bay, and then further up the coast to Cullen, both favourite haunts we had missed through the long lock-down months!
We rarely have the luxury of choosing times when the tide is in or out … we need to go in the morning when our energy is ‘in’. By lunch-time it is most definitely ‘out’ and we need to head home for a siesta!
Banff Bay found us enjoying the sand as the sea retreated ……

The beach at Banff Bay
The beach at Banff Bay on a chilly September day

while Cullen found a wild (and very noisy) sea delighting us with crashing waves.

Cullen Bay stormy weather
Cullen Bay with the waves crashing. Wild and noisy!

We kept true to our plan, and visited the grounds of Leith Hall twice in September too. It was exactly a year since we were last there! This time entering the Walled Garden we met our first sign of Covid changes, with a one-way system to walk around and a reminder to ‘social distance’. On our second visit we found some of the gates we often use to access the top levels of the gardens were locked. We met almost no other people as we wandered around with our cameras … glad at least, and at last to be able to enjoy the fresh air and the gardens.

Leith Hall
Leith Hall nestling among the trees

The Hall looks as majestic as ever. I’m not sure if it is open to the public again, but our main delight lies in the tree walks, the flower gardens and the wonderful views.

Leith Hall autumn colours
The autumn colours at Leith Hall. Shot with the Lensbaby

The autumn colours were showing in some of the trees. This one is close to the huge rock garden, which is being rescued, rebuilt and re-planted according to original plans recently found at the Hall.
So September had the feel of sunshine, the outdoors, visits to favourite haunts, and a whole lot of photographs!
But that was not all. At home we had a surprise with the best harvest of plums we’ve had for years.

the plum harvest
2020 has been a bumper year for our plums!

We are aware that the single Victoria plum tree we have is now over 20 years old, and maybe past its best in producing plums. Some years the frosts kill the flowers in Spring, some years there is not enough rain, or too much – not enough sun or too much. So a sudden bumper harvest was a great surprise and delight. Home grown plums, fresh from the tree, taste so good! We collected a bowl like this every day or two for about two weeks.

But of course I can’t look back on September without reference to the pandemic!

This month saw the biggest gamble, as it was decided that schools, colleges and universities had to open again. It began with schools. Here in Scotland we start the school year a few weeks before the rest of the UK, so we were the first to try out opening up our schools, both Primary and Secondary. Personally we looked on with sinking hearts, as young children are notorious spreaders of infections. Is coronavirus so different? And teenagers and college students are the least likely groups to follow the guidelines on social distancing and avoiding crowds! But the ‘science’ said differently … at least in September! But as the month ended there were signs of infection rates picking up. October might prove to be a difficult month!

On to October and autumn arrives.
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Bow Fiddle

Bow Fiddle Rock seen from the cliffs above, on a calm day.

The Bow Fiddle Rock is near to Portknockie, a small cliff-top fishing village on the Moray coast between Findochty and Cullen, that overlooks the Moray Firth.
The sea around Portknockie is home to dolphins and many sea birds. and it is where the Bow Fiddle Rock can be seen and photographed. The rock is so called because it resembles the very tip of a bow. It was formed by erosion of a rock called Cullen Quartzite which is one of the many types of quartzites found around Scotland. Cullen quartzite is about 2500 metres (8000 feet) thick and makes up the coastline from Buckpool (the west end of Buckie) to Logie Head, the main headland east of Cullen.

The cliffs at Portknockie
The cliffs at Portknockie, showing the rock formation.

As you leave the village and walk towards the Bow Fiddle, you can clearly see that the entire coastal cliff structure has the same steep downward angle. This has been formed over many millions of years, and is visible evidence of the fact that Scotland and England were once part of different ‘continents’ that collided and made the distinctive Scottish Geology and geography!

I’ll let Scottish Geology.com explain
“Quartzite is a metamorphic rock, which means that it has been altered in nature by heat or by pressure. It was originally sandstone laid down in layers under the sea around 750 million years ago. More and more sediment piled up on top until the sandstone was buried several kilometres down, and as the pressure from overlying rocks built up, and heat from the centre of the Earth rose into the crust, the grains of silica in the sandstone were crushed and welded together to form the much harder rock called quartzite.

Movements of the tectonic plates which make up the surface of the Earth also had an effect. Scotland lay on the edge of an ancient continent called Laurentia, and another continent called Avalonia, on which what is now England lay, was carried towards Laurentia and eventually the two continents collided. The result was to crumple and fold the strata of rock, which is why the rock layers making up the Bow Fiddle Rock slope down to the south.

Over millions of years the overlying rocks were eroded away again, and the Cullen Quartzite became exposed at the surface, where the sea and the weather began to attack weaker spots in the rock and carve out the arch we see today. The sloping layers can be traced on to the land from which you first see the Rock. From further east along the clifftop, you get a completely different view, where you can see that the Rock is a long sloping slab of rock.
source: Scottish Geology.com

The Bow Fiddle Rock appears
The Bow Fiddle Rock appears with the surrounding rocks

As you walk along the cliff top path, the Bow Fiddle rock begins to appear, very much aligned with the mainland cliffs. You can walk round the headland, or scramble down the narrow track to get a sea level view.

Bow Fiddle Rock
Bow Fiddle Rock seen from the seashore

From the seashore the rock towers out of the water, and the surrounding sound is of the seagulls and other birds that inhabit the rocks and cliffs all along this stretch of coast. When I was shooting these photos the sea was calm and tranquil, and the midday sun cast strong shadows.

The rock strata at Bow Fiddle Rock
The rock strata at Bow Fiddle Rock at Portknockie

Once you have seen the effects of the massive collision between the two continents, you can recognise the distinctive sloping layers and steeply angled rock formations all along this stretch of coast.

Rocks near Findochty
The same rock striations as the Bow Fiddle, showing the effects of tectonic plate movement.

Here, just a mile along the coast from the Bow Fiddle, the same steep angle is clearly visible. It is fascinating and awe-inspiring to imagine the forces at work over 500 million years ago that have given us this wonderful, sculptural coastline!
© 2019 Elisa Liddell

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