2022 August

calendar for August 2022
Calendar for August 2022

The heatwave that has been dominating the summer across the Mediterranean bringing record-breaking temperatures, drought and wildfires has spread north throughout Europe and finally arrived in the UK. August saw our local Aberdeenshire area feeling just a little effect in comparison, but it was enough for me! according the Wiki

“The 2022 United Kingdom heatwaves were part of several heatwaves across Europe and North Africa. The United Kingdom experienced three heatwaves; the first was for three days in June, the second for three days in July, and the third for six days in August. These were periods of unusually hot weather caused by rising high pressure up from the European continent. There were also more grass fires and wildfires than average, and in August a drought was declared in many regions”.

We found our daily pattern was to move our planters from the overnight shelter of the porch to the patio each morning to catch the shade at the back of the house … and then by late afternoon they were all moved back to the porch as the sun blazed down on the back garden. Chasing the shade cast by the house itself was the name of the game!
Every drop of water we could collect from indoors was used for the planters too. Trying to keep little water pans scattered across the garden for the birds, and putting out apples each day was the best we could do to help the birds.
We had to move the cars to catch a little shade, and open their windows too … as the metal baked. Temperatures outdoors were in the high 30s at some point each day, and overnight didn’t dip below 20c.

Every window and door was open to the max. trying to get some circulation of cooler air. Not very successful as our houses are built and designed with heat retention in mind, not heat dispersal. I slept with just a cotton duvet cover (no duvet inside) and windows as wide open as possible … but sleep was difficult. We ate less, cooked very little and drank lots of water! As August passed and the temperatures moderated we were so grateful … just a taste of what most of Europe was enduring …. but enough for us!

It all meant that at least half the month was spent on dealing with the heat, and little else was accomplished. And we emerged from our brush with the heatwave feeling exhausted and low on sleep! So there wasn’t a great deal of interest to report!
I tried to keep my photography going, with different lenses recording the local scenes.

Infrared landscape

Using my infrared camera here to record the barley field across the road from us. I use infrared mainly for landscape shooting, and like my other landscape lenses it has been little used since the pandemic began!

Looking the other way from the farm gate, back up to the Kirk. The IR filter here is the 720nm, which gives a soft, gentle effect, and allows a little colour to enter the image.

Infrared local landscape
B+W Doorway at light

Another way to combat the heat was to shoot at night when things are cooler! Still too hot for comfort, as our windows don’t open very wide. But the front door looks inviting!

One thing I miss is my collection of sun-specs. When my eyesight was 20/20 I had some elegant and unusual sun specs. Now it is one pair of varifocals with light-sensitive lenses. Not quite the same!

Sun specs
Guitar abstract

My Flickr groups keep me alert with weekly challenges. Here a macro group asked us to shoot ‘sound’. This is guitar strings in the bright sunlight, seen up close from an unusual perspective.

And another macro shoot brought me close-up to my pink geraniums. As well as keeping them well watered and in the shade, they are also beautiful photography subjects!

pink geraniums
Agapanthus flowers

It’s not often I can find agapanthus flowers – these ones came from the supermarket. shooting them is a real challenge, as they have such an amazing flower-head!

One thing that I wanted to do was to celebrate my friend Laurie’s wonderful creative work with Japanese temari balls. While she was here in May she made me two new balls, and the making of one of them is described briefly here. It gives just the smallest hint of the skill and complexity of the art form.

making a temari ball
making a temari ball

And so on to September, when the world here cools down!

Back to the 2022 Cover page
Back to Notebooks cover

Flickr holds Elisa’s online Photo Gallery

Sweet and pink!

Pink geranium flowers.
Pink geranium flowers. Sweet 50 with 16mm macro converter

Thinking of summer as the flowers start to bloom. A pink geranium that we grew in a pot, close to the porch so it could get the sun and be sheltered from the winds. It rewarded us with beautiful flowers.
Shot here with the Lensbaby, which is one of my favourite range of optics. The Sweet 50 optic gives a sharp focus point called the “sweet spot” and a gentle blur surrounding that spot.
There’s a whole series of articles here on the Lensbaby optic system
On Flickr you can find my Album of Sweet 50 photos

Flickr holds Elisa’s online Photo Gallery
© 2019 Elisa Liddell

Chasing the light

Gladiolus petal in the sunshine
Close-up of a gladiolus flower in the late sunshine

When I was writing this I thought of it as “Chasing the late light at F2.8” or “3 cameras and 1 flower”. But both of these titles were a bit unwieldy as URLs, so I simplified it. But there are three lenses in this playful tale, and all are indeed set at F2.8. So, to begin…

The way my house is laid out, the front gets the sunlight in the morning, often until the early afternoon. A big south-facing bay window makes it the best place to shoot. Then it gets tricky … by late afternoon the sun has moved round to the side of the house; then there is a small window of time, and a small physical side window where I can sometimes catch the light. There are trees in the way – so, especially if it’s windy, there is a constant flickering of light and shadow. Then the sun moves round to the back of the house, and sometimes there is the late light shining through a willow hedge right into the kitchen and onto a dark blue Formica top of the breakfast bar. This the story of chasing the late afternoon light with a lovely salmon pink gladiolus stem, trying to get some photos using just the natural light! And as two of the cameras were already set on F2.8 I shot the third on F2.8 too.
Note: I always shoot on full Manual, especially indoors – I’m so used to it I never even think about it. And the White Balance remained constant on ‘cloudy’ or ‘daylight’ on all 3 cameras for this shoot.

The cameras to hand were:
1) Lensbaby Composer Pro with 50mm double glass optic with a +4 macro filter (essentially a fixed focal length)
2) A NEX-6 with my favourite Helios Russian lens (frozen at F2.8 so it is a fixed focus)
3) The Sony A77ii with the tele-macro 100mm lens (a heavy combination, but so versatile in the results it can achieve)

I moved a small round wooden table beside the side window with the swaying trees casting strong light then deep shadow. I laid the gladiolus on the wood and waited to catch the sunshine.
The tele-macro allowed me to zoom out and take in both the flowers lying on the table.

light and shadows on gladioli flowers
Sunlight casting strong light then deep shadow on my gladioli flowers. shutter 1/800 ISO 80 WB “cloudy”

I could catch the sunlight and strong shadow it cast; the graceful curved shape of the stem; and a sense of the wooden surface, with a slight reflection too. And using F2.8 meant that the background was nice and dark due to the shallow DoF.

Next I took the Helios lens. It makes a lovely and soft image, but F2.8 is the only option – which gives me a closer composition but with no flexibility to move in closer, or further away.

The Helios lens gives a lovely soft bokeh
The Helios lens is gentle and gives a lovely soft bokeh. shutter 1/80 ISO 100 WB “cloudy”

The light is softer, and there is a background bokeh and definite reflections on the table.
So – could the Lensbaby offer me anything different at F2.8 (the aperture ring was in place from a previous shoot)

Lensbaby and gladiolus flower
Lensbaby Double Glass +4 macro filter catches the light on the flower. shutter 1/2000 ISO 100 WB “daylight”

The light was much harder to control, and focusing took more time as the tree branches gave a strobe effect the table! But I did manage to get the Lensbaby swirl of bokeh around the petals, and the internal glow! Here I used a high shutter speed. I try to keep the ISO as low as possible – I find that my Sony cameras are best with low ISO, and get noticeable ‘noise’ at higher settings.

By now the sun was moving round the house and lower in the sky .. so to complete the process I waited until I could catch the light as it fell across the breakfast bar. I went back to the big tele-macro lens, as it can get closer in to catch the water droplets better than the the other two.

Gladiolus flower resting on the formica worktop
Gladiolus flower on the Formica worktop, shot in the fading evening light. shutter 1/80 ISO 50 WB “cloudy”

Against the dark surface, and with light slanting through the open door I took the final shots. This time the white of the freezer in the background stopped me achieving a matt black background. But there are nice reflections on the work surface, and it looks like liquid – a lens effect I hadn’t expected. And I can get in closer with the tele-macro than I could with either of the other two lenses.

I do spend a lot of time chasing the light – I guess many of us do! It is nice to be able to control the light in a studio setting – and I do that too. But natural light and the camera lens can make unexpected magic, with lens flares, bokeh, and a richness and variety of light quality that man-made lighting just can’t touch. I no longer have the energy or stamina to chase the light across the landscape and into the night …. but around the house can be quite a challenge too ;o)
On Flickr you can find my Album of Gladioli photos
Flickr holds Elisa’s online Photo Gallery
© 2019 Elisa Liddell