2022 January

calendar January 2022
My Calendar cover for January 2022

Yes. Year three of the Covid-19 pandemic begins. It has been such a long journey since November/December 2019 when we first read about a virulent new virus causing concern in Wuhan, China …. then January 2020 when we found it was here in Aberdeenshire, brought back from Italy by someone returning from a ski holiday in the Italian Alps.
It is hard to recall just how innocent, how ignorant we were of what might lie ahead as the new decade began! So how does the world look as 2022 begins?

In pandemic terms the Westminster government is yet again trying to suggest that the pandemic is over … well NEARLY. Desperate for some ‘good news’ it is repeating the mistakes of last year by trumpeting the next “Freedom Day” of no face masks and back to work in the office.
The reason for this (looked at with a cynical eye) is to divert the populace away from the ocean of lies, corruption and sleaze that is engulfing Boris Johnson and his government. It is difficult to find a way to summarise this … Partygate, lying (both to the Commons and the people), bullying and intimidation of MPs … just a tiny taste of the sewer that the ‘national’ government has become. It is being revealed day after day. Desperate attempts to shore up the government mean that throwing vulnerable citizens under the Covid bus is just one plan to divert attention away from the mess they are in. Declare the pandemic over – compare it to a winter ‘flu once again.

And where am I personally as the year begins? Well my energy seems to have shrunk to the size of a walnut! I guess 2 years of constant stress and anxiety would be enough of a problem for the ME/PVS (Post Viral Syndrome) my body has had to live with over the past 30 years. I used to avoid the annual ‘flu jab because it took months to recover from the after-effects. But Covid has redrawn the map! Now I have had 2 ‘flu jabs and 3 Covid jabs. I guess the answer is right there! And since the booster jab of Pfizer I have had some strange side-effects such as alterations to my sense of taste. Nori, which I love, became quite horrible. This winter’s ‘flu jab was administered at the same time as the booster shot, and the arm muscle involved has remained painful – even now – 3+ months after the jab.

So I find very little energy for my creative drive. Even back-pedalling on the housework, and neglecting the garden, I find myself sinking into watching DVDs or recorded TV programmes rather than beginning my painting for the year! And endless card games on my iPhone take the time I used to spend reading poetry, or books on Cezanne, or my only magazine on B+W photography. My eating is chaotic, with far too much sweet (cakes and chocolates) and little salad and fresh fruit! So I have a mountain to climb to get myself back on track!

It is only slowly, as the end of the month approaches, that I feel able to take some tentative steps towards what was ‘normal’ in 2021, or further back in 2020, and even pre-pandemic times. I sourced a ‘new’ vintage lens on eBay, and now have a second Meyer Optik Gorlitz lens – this time a closer Domiplan 50mm. Not expensive, and very like the Helios range, but giving an hexagonal bokeh light ball. And I am beginning the year by brushing up on my photographic skills.
Something I can do every day, especially in the early morning, is to step outside and shoot the dawn from the garden. It is often the most interesting and colourful time of the day.

morning sunrise

In winter a stunning dawn like this can resolve into a grey, overcast day. So the zoom of my RX10m3 is by the door, to catch the ‘lightshow’ that welcomes the morning!

Misty winter world

The other photogenic morning offering is the early mist. Here I tried out the new Domiplan 50 lens outdoors. Focusing on something as insubstantial as the mist across the howe is quite demanding of any lens!

And indoors I’ve been using the Domiplan 50mm as my ‘go-to’ lens. I find it’s the best way to learn a new lens, to have it to hand as much as possible, and shoot anything and everything that catches my eye. Looking at the results later on the PC monitor I can discard disappointing shots, but all of them build up my knowledge of what are the strengths and weaknesses of a lens.

fading yellow tulip

The remnants of a vase of yellow tulips, caught in the sunshine and reflected on the wooden table surface.
The hexagonal bokeh in the window was a delight.

glass and light

A ‘grab the camera’ moment as the sun caught some glass photo props before I put them away! I was about to finish for the day … and prepare some lunch.

One of the few remaining ‘normal’ activities we have is the weekly shopping trip to Inverurie. The range of shops we visit is reduced to just two, and has been since the early days of the pandemic. It makes for a quick ‘exposure’ with masks and sanitiser …. early in the day before the shops are crowded. But there is a bonus to the early start, especially in the winter, as it means we drive through the dawn! We drive into the sunrise as we go, and the sun is behind us as we return. Both effects can create beautiful photographs!

January dawn

As the daily ‘light show’ of the dawn unfolds before our eyes, there is the chance of the sky silhouetting the trees by the roadside. Irresistible for me with my Sony RX100 – which is perfect for such ‘drive by’ shots.

On the road with lenticular clouds

By the time the shopping is done, the day has opened up, and with the low winter sun at our backs we can take in the full glory of the world we live in. I’ve recently learned that the clouds we often see here are called Lenticular and can look like rolls of cotton wool.

By the middle of January we made our first (short) trip to the coast – the first since last April! The day was grey and cold, but we missed being able to walk by the sea and enjoy the freedom to exercise in fresh air, walk on the sand, and feel the power of the sea as it meets the shore. The damage inflicted by Storm Arwen has closed our local exercise places, Fyvie Castle and Leith Hall, so the sea is the only space that is open to us.
As it turned out we found that Storm Arwen has robbed us of our usual seaside spots too! The road to Banff Scotstown was closed off, with nowhere to park. so we couldn’t even park and investigate on foot!

Banff Bay January 2022

I had to shoot Banff Bay from above, fighting a gale as I tried to catch the sea with my new lens! It was beautiful, but I couldn’t stay long, as standing upright was a battle in itself!

We decided to try Portsoy, further up the coast. If the sea was too wild and windy, then the shelter of Little Loch Soy might be a place we could stretch our legs and get some exercise. We discovered that Storm Arwen had marked even Little Loch Soy, with trees destroyed, and only freshly cut tree stumps remaining in some places.
I had decided to take my Lensbaby Double Glass lens with me, as it too had been languishing over the past few months. At least I could try for some interesting lens effects, if the day was grey and the lochside walk was dull!

Little Loch Soy with Lensbaby

As it happened the Lensbaby did transform the dull day into something more magical! Back home I took 3 Lensbaby shots and wove them into a wintery wonderland. It is amazing what the Lensbaby can create!

tulip petal

Back home I played with the Lensbaby indoors. With macro rings I can get in really close. There are lovely swirling patterns the lens can create with a fallen tulip petal and stamens, on pebble glass.

As the month progressed we continued to slowly clear up the damage from Storm Arwen. So many branches brought down in the garden, and debris together with leaves needing to be hauled up to the recycling centre in Turriff. As the month drew to a close we were warned of another severe storm arriving. The closing weekend was going to be graced with not one but two storms – Storm Malik and Storm Corrie. So before the worst began to hit Aberdeenshire we returned to the coast and treated ourselves to fish and chips by the sea at Whitehills.

Banff from across the Bay

The weather was already becoming wild and stormy, so we ate in the comfort of the car before venturing out to catch the surf breaking on the rocks. As it happened this was the quiet before the real storm arrived!

Storm Malik

An online capture of the two storms! We waited for power cuts, and for trees in the garden to be brought down, but we were lucky and survived with just more debris to clear away!

And so the month draws to a close with us feeling battered and bruised and very tired! Anxiously waiting for both storms to pass, and wondering how we could run our generator with 70+ mph gales battering us. We look forward to a more peaceful February, and are in need of time to rest and recover!

On to February, and the hope of calmer weather!
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2021 March

winter road shot
The bleakness of winter still remains in March!

March began with the first vaccination accomplished, and a wait for the second dose that may reach into May. It developed into a month of unholy wrangling with the EU over vaccine supply. Over half of the UK adult population have received a first dose, and the impact has been striking. Numbers in hospital with COVID, in the ICU, and dying from COVID have all fallen dramatically since December when the vaccination began. Studies are showing that the gamble of maximizing the range of the first jab and delaying the second jab has paid off.

The EU has been slow to give medical approval for the vaccines, and also slow to place orders for them. They have an average of 10% of their populations vaccinated, and are facing a third wave, with lock-downs. The immediate outlook is bleak for people in Europe, as the variant becoming dominant is the B117 (Kent variant) that has plagued the UK too. It has proved to be more tranmissible, and more deadly than the original virus here.
Sadly the EU Commission response has been to try to block vaccines produced on the continent from being exported to the UK. They have spent two months trashing the reputation of the AstraZenenca vaccine, and are now trying to ‘sell’ it to their populations! Currently there are significant numbers who are refusing the AZ vaccine, despite growing research evidence of its efficacy and safety. What a mess!!

Here we both had the AZ vaccine, and after a couple of days feeling like a mild dose of ‘flu we have had no adverse effects. The Shingles vaccine was much worse!! So now we feel more confident going out and about. Still in lock-down in Scotland in March, so exercising at Fyvie Castle and essential shopping in Inverurie are the extent of our ‘out and about’. But there is a slight feeling of returning normality, as we are no longer totally dependent on deliveries for our weekly grocery needs!

Infrared of Fyvie loch
Winter still rules! Infrared at Fyvie loch

The weather has been against us, as sub-zero temperatures (especially overnight) have made for bleak, cold and windy outings for exercise. The trees have been battered by the severe winter and are not at all photogenic , and only snowdrops are adorning the pathways at Fyvie

snowdrops at Fyvie Castle
Snowdrops make for a magical white carpet at Fyvive Castle.

With a little Helios lens magic the snowdrops appear to swirl, and add a little magic! Indeed magic is needed to see the beauty hidden in the wintry corners of the castle grounds….

Lensbaby snowdrops and fence
Last years leaves and this years snowdrops caught with the Lensbaby.

This time it is the Lensbaby optic adding some colour and sparkle to the cold day!

So much of my time has been spent indoors – too cold to think about tackling the garden and all the dead-heading and clear-up after the winter!
Decision time! I am still determined to fit my watercolour adventure into the already cramped timetable for the day/week/month! It does take my energy reserves right to the edge, and it does mean the housework is being neglected!
The more I dig into my first watercolour venture (some 20+ years ago), the more I understand when artists say watercolour is the most difficult and challenging medium of all! I have a whole lot to learn or re-learn, and yet I know where I want to go ….. so balancing the need to learn important things with wishing to avoid a “watercolours by numbers” approach is making for slow progress! I don’t want to lose my own vision …. The first thing that I need to get a grasp on is the colours that I have got.

watercolour transparency chart
My watercolour transparency chart

I want to use as many transparent colours as possible, as they can let the paper glow through – but there are so many qualities to each paint. Transparent, semi-transparent and opaque is only one quality to weigh! There are staining/non-staining colours, and then reflective colours, and sedimentary colours … and then how about warm and cool colours, colour dominance? …. and I am nowhere near the paper choices, or the brush choices!

I have decided to simply throw myself in the deep end, and sink or swim. The problem is that I am not good at failing … especially not repeatedly! I tend to beat myself up, and get discouraged…. so I am trying to fit a small watercolour ‘corner’ into each day … failing, but gradually getting closer to every other day! So I have ‘built’ my first palette.

My starting palette
My first palette selection, with transparency in mind.

I’ve already been experimenting with mixing my painting with my photographs ….

Eggs blending photo and watercolour
Daily sketch eggshells and blend with photo
Blending art and photography
Blending art and photography

See more on the August 2020 page, and on Flickr I have an album of all kinds of blending and merging of media. I want to use some of the landscape images I’ve captured over the years, and express them in watercolour too … like this winter sunrise as we drove along ..

freezing fog on the road
Ice and fog, a dangerous but magical mixture.

So, as March draws to a close, and the sunny days begin to outnumber the wintry ones, my ToDo lists are packed with ideas for photography and painting, and my online Flickr presence will vie with the demands of house and garden! Hopefully there will be the chance to travel to the coast, as lock-down restrctions ease. It may be May before we see a second vaccination jab … so extreme caution is still the 2021 ‘normal’. Here are the images that I posted on Flickr during March ….

The collage of shots taken and uploaded for March 2021
The collage of shots taken and uploaded for March 2021

And on to April – has Spring arrived .. at last?
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© 2021 Elisa Liddell

Apple blossom time!

The apple blossom
The apple blossom sways in the gentle Spring breeze. Shot with the Helios 44-2 lens

May starts, and the apple blossom is in full swing. We have a large crab apple tree – no use for apples in the autumn (even the bird and insects avoid the fruit)
But in the Spring the garden is full of the almond scent of the flowers, and the tree is a mass of pink buds and white flowers. A true joy!
My album of apple blossom shots is on Flickr
Flickr holds Elisa’s online Photo Gallery
© 2019 Elisa Liddell

“I can see clearly now …

… the rain has gone”
Last summer (2018) we had a long hot dry three months. The impact was felt all over the crop growing area of the N E of Scotland, where a great deal of the local barley crop was stunted and shrivelled. Personally it was our garden we struggled to save, taking every drop of usable water out to help the plants survive. In the cool of the evening we could be found with hosepipe watering cans … and of course with cameras too! My favourite for catching the water droplets on the plants was an old Russian Helios 44-2 lens that I found in the back of a cupboard. The lens is frozen at F2.8 but it is such a delight! Serendipity, on Flickr tells more of that story.
So here is the original shot I took of the late light catching the leaves on a miniature acer

Raindrops on miniature acer in colour.
Raindrops on miniature acer in colour. Helios 44-2 lens at F2.8

The slanting light, the water droplets on the leaves, and the light yellow of the entire bush – they are all there. But how will it change if I take away the colour, and transform it into B+W?

Raindrops on miniature acer in B+W.
Raindrops on miniature acer in B+W. Helios 44-2 lens at F2.8

I did crop the right side of the image, which brings the leaves and the water droplets closer. But the overall effect of the change, for me, is to draw the eye more immediately to the sun falling on those leaves in the foreground, and to emphasise the cast shadow in the bottom right corner. There is more light and shadow, and more sense of the sun touching the leaves in the foreground. I feel that both versions are equally strong, and complement each other very well.

There’s more on “taking the colour away” here
Flickr holds Elisa’s online Photo Gallery
© 2019 Elisa Liddell

Flowers for Springtime

plum blossom with bokeh
Helios 44-2 lens shooting plum blossom with bokeh

There’s nothing quite as beautiful as the tiny delicate flowers of the Japanese plum tree in March and April. The wind may be cruel and cold, but the fragile blossoms cling to the swaying branches with such determination. Even overnight frost cannot defeat them. Spring will endure!
I shot this with my favourite lens. It is an old Russian Helios 44-2 lens, from way back in the 1960s. It creates the most wonderful gentle colours, and a stunningly beautiful bokeh too.
There is an album of photographs taken with this lens here on Flickr. The close-ups are with this exact lens; the longer shots with a second LOMO Helios lens (yes – I eventually got two!)

Flickr holds my entire online Photo Gallery
© 2019 Elisa Liddell

Chasing the light

Gladiolus petal in the sunshine
Close-up of a gladiolus flower in the late sunshine

When I was writing this I thought of it as “Chasing the late light at F2.8” or “3 cameras and 1 flower”. But both of these titles were a bit unwieldy as URLs, so I simplified it. But there are three lenses in this playful tale, and all are indeed set at F2.8. So, to begin…

The way my house is laid out, the front gets the sunlight in the morning, often until the early afternoon. A big south-facing bay window makes it the best place to shoot. Then it gets tricky … by late afternoon the sun has moved round to the side of the house; then there is a small window of time, and a small physical side window where I can sometimes catch the light. There are trees in the way – so, especially if it’s windy, there is a constant flickering of light and shadow. Then the sun moves round to the back of the house, and sometimes there is the late light shining through a willow hedge right into the kitchen and onto a dark blue Formica top of the breakfast bar. This the story of chasing the late afternoon light with a lovely salmon pink gladiolus stem, trying to get some photos using just the natural light! And as two of the cameras were already set on F2.8 I shot the third on F2.8 too.
Note: I always shoot on full Manual, especially indoors – I’m so used to it I never even think about it. And the White Balance remained constant on ‘cloudy’ or ‘daylight’ on all 3 cameras for this shoot.

The cameras to hand were:
1) Lensbaby Composer Pro with 50mm double glass optic with a +4 macro filter (essentially a fixed focal length)
2) A NEX-6 with my favourite Helios Russian lens (frozen at F2.8 so it is a fixed focus)
3) The Sony A77ii with the tele-macro 100mm lens (a heavy combination, but so versatile in the results it can achieve)

I moved a small round wooden table beside the side window with the swaying trees casting strong light then deep shadow. I laid the gladiolus on the wood and waited to catch the sunshine.
The tele-macro allowed me to zoom out and take in both the flowers lying on the table.

light and shadows on gladioli flowers
Sunlight casting strong light then deep shadow on my gladioli flowers. shutter 1/800 ISO 80 WB “cloudy”

I could catch the sunlight and strong shadow it cast; the graceful curved shape of the stem; and a sense of the wooden surface, with a slight reflection too. And using F2.8 meant that the background was nice and dark due to the shallow DoF.

Next I took the Helios lens. It makes a lovely and soft image, but F2.8 is the only option – which gives me a closer composition but with no flexibility to move in closer, or further away.

The Helios lens gives a lovely soft bokeh
The Helios lens is gentle and gives a lovely soft bokeh. shutter 1/80 ISO 100 WB “cloudy”

The light is softer, and there is a background bokeh and definite reflections on the table.
So – could the Lensbaby offer me anything different at F2.8 (the aperture ring was in place from a previous shoot)

Lensbaby and gladiolus flower
Lensbaby Double Glass +4 macro filter catches the light on the flower. shutter 1/2000 ISO 100 WB “daylight”

The light was much harder to control, and focusing took more time as the tree branches gave a strobe effect the table! But I did manage to get the Lensbaby swirl of bokeh around the petals, and the internal glow! Here I used a high shutter speed. I try to keep the ISO as low as possible – I find that my Sony cameras are best with low ISO, and get noticeable ‘noise’ at higher settings.

By now the sun was moving round the house and lower in the sky .. so to complete the process I waited until I could catch the light as it fell across the breakfast bar. I went back to the big tele-macro lens, as it can get closer in to catch the water droplets better than the the other two.

Gladiolus flower resting on the formica worktop
Gladiolus flower on the Formica worktop, shot in the fading evening light. shutter 1/80 ISO 50 WB “cloudy”

Against the dark surface, and with light slanting through the open door I took the final shots. This time the white of the freezer in the background stopped me achieving a matt black background. But there are nice reflections on the work surface, and it looks like liquid – a lens effect I hadn’t expected. And I can get in closer with the tele-macro than I could with either of the other two lenses.

I do spend a lot of time chasing the light – I guess many of us do! It is nice to be able to control the light in a studio setting – and I do that too. But natural light and the camera lens can make unexpected magic, with lens flares, bokeh, and a richness and variety of light quality that man-made lighting just can’t touch. I no longer have the energy or stamina to chase the light across the landscape and into the night …. but around the house can be quite a challenge too ;o)
On Flickr you can find my Album of Gladioli photos
Flickr holds Elisa’s online Photo Gallery
© 2019 Elisa Liddell